Listening to a Trembling Blue Stars album is like looking at a painting by Turner. Everything seems hazy and samey at first, but if you keep looking long enough details will begin to reveal themselves, gently but inexorably altering your initial perception. There are always special nuances to these songs that will fascinate and surprise you when you least expect it. This can be said of any of the six albums the group have released so far and THE SEVEN AUTUMN FLOWERS, their fifth from 2004, is a perfect example of Bobby Wratten's art.Is this indie-pop? What is indie-pop? The dynamics at play here are so much more: consider the housey groove of SORROW HAS A WAY and how comfortably it sits with the elegant string arrangement of FURTHER TO FALL; or marvel at how well the poppy ALL ETERNAL THINGS and THE SEA IS SO QUIET intersperse the flow of the shuffly ballads, among which you can hear the beauteous KENSINGTON GARDENS and ALL I DO IS LOSING; this is multifarious music, even drawing on dub and ambient soundcapes, a sound that builds warm, womb-like caves you will never want to leave.As for Mr. Wratten, he is a master at writing songs about the eternal things humans keep looking for (and very rarely get); yet these are not songs about love, more about the love of love, and as such they are detached and sympathetic in equal measure. Eternal feelings (regret, joy, loss, desire) are minutely dissected and then framed by rural or urban vistas (both musically and lyrically) that set a perfect tone for every story. And even if we know that love follows a set pattern, yet we are always willing to listen, again and again, to Bobby's (and Beth Arzy's) voice telling us about it.If you have recently become cynical about human relationships, stay away from TBS albums; listening to a couple of tracks might be enough to entrance you, and before you know it you will want to fall in love again, just for the sheer pleasure of feeling emotions pulse through your veins.